T. S. Eliot

 

 

Reflections on Contemporary Poetry

[Auszug]

 

Text
Editionsbericht
Literatur: T. S. Eliot
Literatur: Eliot-Rezeption
Literatur: The Egoist

 

ONE of the ways by which contemporary verse has tried to escape the rhetorical, the abstract, the moralizing, to recover (for that is its purpose) the accents of direct speech, is to concentrate its attention upon trivial or accidental or commonplace objects. This tendency is common to a very great variety of poets; what is less noticed is the divergence of form which it takes. To be concrete, if perhaps facile in generalization, I may divide the tendency into its English and its American currents. With the American the effect is more usually an arrest at the object in view; the American poet is fearful of betraying any reaction beyond that revealed in the choice and arrangement; the effect is of an ingenious if sometimes perverse visual imagination in complete detachment from any other faculty. The Russian influence may here count for something; the Russian novel, with its curious trick of fastening upon accidental properties of a critical situation, and letting these in turn fasten upon the attention to such an extent as to replace the emotion which gave them their importance

 

 

 

 

Erstdruck und Druckvorlage

The Egoist.
Bd. 4, 1917, Nr. 8, September, S. 118-119.

Gezeichnet: T. S. E.

Unser Auszug: S. 118.

Die Textwiedergabe erfolgt nach dem ersten Druck (Editionsrichtlinien).


The Egoist   online
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711

The Egoist   inhaltsanalytische Bibliographie
URL: https://www.unionofegoists.com/journals/the-egoist-1914/#index-of-issues

 

 

Zeitschriften-Repertorium

 

Kommentierte und kritische Ausgabe

 

 

 

Literatur: T. S. Eliot

Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik. In: Handbuch Lyrik. Theorie, Analyse, Geschichte. Hrsg. von Dieter Lamping. 2. Aufl. Stuttgart 2016, S. 2-15.

Callison, Jamie: Transmuting F. H. Bradley. T. S. Eliot's Notes Towards a Theory of Poetry. In: T. S. Eliot Studies Annual 1 (2017), S. 99-113.

Gallup, Donald: T. S. Eliot. A Bibliography. London 1969.

Lipking, Lawrence: Poet-critics. In: The Cambridge History of Literary Criticism. Bd. 7: Modernism and the New Criticism. Hrsg. von A. Walton Litz. Cambridge u.a. 2000, S. 439-467.

Painter, Kirsten B.: Flint on a Bright Stone. A Revolution of Precision and Restraint in American, Russian, and German Modernism. Stanford, Calif. 2006.

Pondrom, Cyrena N.: The Road from Paris. French Influence on English Poetry, 1900 – 1920. Cambridge 2010.

Stayer, Jayme (Hrsg.): T. S. Eliot, France, and the Mind of Europe. Newcastle upon Tyne 2015.

Sullivan, Hannah: 'But We Must Learn to Take Literature Seriously': T. S. Eliot and the Little Magazines of Modernism, 1917-1920. In: Critical Quarterly 46.2 (2004), S. 63-90.

Thacker, Andrew: A Language of Concrete Things: Hulme, Imagism and Modernist Theories of Language. In: T. E. Hulme and the Question of Modernism. Hrsg. von Edward Comentale u.a. Aldershot 2006, S. 39-55.

 

 

Literatur: Eliot-Rezeption

Boecker, Bettina: "Zuspruch inmitten Sinnlosigkeit": Zur Rezeption T. S. Eliots im Deutschland der Nachkriegszeit. In: Zeitschrift für Anglistik und Amerikanistik 55.2 (2007), S. 139-154.

Brooker, Jewel S. (Hrsg.): T. S. Eliot. The Contemporary Reviews. Cambridge u.a. 2004.

Däumer, Elisabeth / Bagchee, Shyamal (Hrsg.): The International Reception of T. S. Eliot. London u.a. 2007.

Gish, Nancy K.: Eliot's Critical Reception: "The Quintessence of Twenty-First-Century Poetry". In: A Companion to T. S. Eliot. Hrsg. von David E. Chinitz. Chicester 2014, S. 436-448.

Grant, Michael (Hrsg.): T. S. Eliot. The Critical Heritage. 2 Bde. London u.a. 1982.

Harding, Jason (Hrsg.): T. S. Eliot in Context. Cambridge u.a. 2011.

Leucht, Robert: "Oder ist es seine magnetische Kraft?" T.S. Eliot in Österreich - Bausteine einer literarischen Rezeptionsgeschichte, 1945-1981. In: Angermion 10 (2017), S. 147-179.

Marx, William: T.S. Eliot in France. Une réception problématique. In: Textuel. L'UFR de Lettres, arts et cinéma 53 (2008), S. 89-95.

Rasula, Jed: What the Thunder Said. How The Waste Land Made Poetry Modern. Princeton, NJ 2022.

 

 

Literatur: The Egoist

Binckes, Faith / Snyder, Carey (Hrsg.): Women, Periodicals and Print Culture in Britain, 1890s-1920s. The Modernist Period. Edinburgh 2019.

Bornstein, George: Material Modernism. The Politics of the Page. New York 2001.

Brooker, Peter: The Freewoman, The New Freewoman et The Egoist: femmes modernes et modernisme masculin. In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil. Hrsg. von Benoît Tadié. Paris 2006, S. 129-140.

Clarke, Bruce: D. H. Lawrence and the Egoist Group. In: Journal of Modern Literature 18.1 (1992), S. 65-76.
URL: https://www.jstor.org/stable/3831547

Clarke, Bruce: Dora Marsden and Early Modernism: Gender, Individualism, Science. Ann Arbor 1996.

Clarke, Bruth: Suffragism, Imagism, and the "Cosmic Poet": Scientism and Spirituality in The Freewoman and The Egoist. In: Little Magazines & Modernism. New Approaches. Hrsg. von Suzanne Churchill u. Adam McKible. Aldershot, England 2007, S. 119-131.

Cuny, Noëlle: D'un style scientifique dans certaines revues d’avant-garde (BLAST, The Signature, The Egoist, 1914-1915). In: Études de stylistique anglaise [En ligne] 2 (2011), S. 23-38.
URL: http://journals.openedition.org/esa/1783

Doyle, Charles: Richard Aldington. A Biography. Basingstoke u.a. 1989.

Harding, Jason: Tradition and Egoism: T. S. Eliot and The Egoist. In: T. S. Eliot and the Concept of Tradition. Hrsg. von Giovanni Cianci. Cambridge u.a. 2007, S. 90-102.

Marek, Jayne: Women Editing Modernism. Lexington 1995.

Morrisson, Mark S.: The Public Face of Modernism. Little Magazines, Audiences, and Reception, 1905-1920. Madison, Wis. u.a. 2001.
Kap 3: Marketing British Modernism: The Freewoman, the Egoist, and Counterpublic Speres (S. 84-132).

Rabaté, Jean-Michel: Tradition moderniste ou taxonomie des petites revues: The New Age, The Egoist, transition. In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil. Hrsg. von Benoît Tadié. Paris 2006, S. 31-57.

Rabaté, Jean-Michel: Gender and Modernism: The Freewoman (1911-12); The New Freewoman (1913), and The Egoist (1914-19). In: The Oxford Critical and Cultural History of Modernist Magazines. Hrsg. von Peter Brooker u.a. Bd. 1: Britain and Ireland 1880-1955. Oxford 2009, S. 269-289.

Thacker, Andrew: Dora Marsden and The Egoist: "Our War Is With Words". In: English Literature in Transition, 1880-1920. Vol. 36.2 (1993), S. 179-196.

 

 

Edition
Lyriktheorie » R. Brandmeyer