Text
Editionsbericht
Literatur: T. S. Eliot
Literatur: The Egoist
ONE of the ways by which contemporary verse has tried to escape the rhetorical, the abstract, the moralizing, to recover (for that is its purpose) the accents of direct speech, is to concentrate its attention upon trivial or accidental or commonplace objects. This tendency is common to a very great variety of poets; what is less noticed is the divergence of form which it takes. To be concrete, if perhaps facile in generalization, I may divide the tendency into its English and its American currents. With the American the effect is more usually an arrest at the object in view; the American poet is fearful of betraying any reaction beyond that revealed in the choice and arrangement; the effect is of an ingenious if sometimes perverse visual imagination in complete detachment from any other faculty. The Russian influence may here count for something; the Russian novel, with its curious trick of fastening upon accidental properties of a critical situation, and letting these in turn fasten upon the attention to such an extent as to replace the emotion which gave them their importance
Erstdruck und Druckvorlage
The Egoist.
Bd. 4, 1917, Nr. 8, September, S. 118-119.
Gezeichnet: T. S. E.
Unser Auszug: S. 118.
Die Textwiedergabe erfolgt nach dem ersten Druck
(Editionsrichtlinien).
The Egoist online
URL: https://modjourn.org/journal/egoist/
URL: https://catalog.hathitrust.org/Record/000529711
The Egoist inhaltsanalytische Bibliographie
URL: https://www.unionofegoists.com/journals/the-egoist-1914/#index-of-issues
Zeitschriften-Repertorium
Kommentierte und kritische Ausgabe
Literatur: T. S. Eliot
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Edition
Lyriktheorie » R. Brandmeyer