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LITERATURE differs from explanatory and scientific writing in being wrought about a mood, or a community of moods, as the body is wrought about an invisible soul; and if it uses argument, theory, erudition, observation, and seems to grow hot in assertion or denial, it does so merely to make us partakers at the banquet of the moods. It seems to me that these moods are the labourers and messengers of the Ruler of All, the gods of ancient days still dwelling on their secret Olympus, the angels of more modern days ascending and descending upon their shining ladder; and that argument, theory, erudition, observation, are merely what Blake called "little devils who fight for themselves," illusions of our visible passing life, who must be made serve the moods, or we have no part in eternity. Everything that can be seen, touched, measured, explained, understood, argued over, is to the imaginative artist nothing more than a means, for he belongs to the invisible life, and delivers its ever new and ever ancient revelation. We hear much of his need for the restraints of reason, but the only restraint he can obey is the mysterious instinct that has made him an artist, and that teaches him to discover immortal moods in mortal desires, an undecaying hope in our trivial ambitions, a divine love in sexual passion.
Erstdruck und Druckvorlage
The Bookman (London).
Bd. 8, 1895, Nr. 47, August, S. 138-140.
Gezeichnet: W. B. Yeats.
Unser Auszug: S. 138.
Die Textwiedergabe erfolgt nach dem ersten Druck
(Editionsrichtlinien).
The Bookman (London) online
URL: https://catalog.hathitrust.org/Record/008883383
Zeitschriften-Repertorium
Mit Änderungen aufgenommen in
Kommentierte Ausgabe
Werkverzeichnis
Verzeichnis
Wade, Allan: A Bibliography of the Writings of W. B. Yeats.
3. Aufl. London: Hart-Davis 1968.
Yeats, William Butler:The Death of Oenone.
In: The Bookman (London).
Bd. 3, 1892, Nr. 15, Dezember, S. 84.
Yeats, William Butler: The Message of the Folk-lorist.
In: The Speaker.
Bd. 8, 1893, 19. August, S. 188-189.
Yeats, William Butler: A Symbolical Drama in Paris.
In: The Bookman (London).
Bd. 6, 1894, Nr. 31, April, S. 14-16.
Yeats, William Butler: Irish National Literature.
Contemporary Prose Writers.
In: The Bookman (London).
Bd. 8, 1895, Nr. 47, August, S. 138-140.
Yeats, William Butler:
Irish National Literature. III. Contemporary Irish Poets.
In: The Bookman (London).
Bd. 8, 1895, Nr. 48, September, S. 167-170.
Yeats, William Butler: Verlaine in 1894.
In: The Savoy. An Illustrated Quarterly.
1896, Nr. 2, April, S. 117-118.
URL: https://archive.org/details/savoy01symo
Yeats, William Butler: William Blake.
In: The Bookman (London).
Bd. 10, 1896, Nr. 55, April, S. 21.
Yeats, William Butler: William Blake and His Illustrations to the Divine Comedy.
In: The Savoy. An Illustrated Monthly.
1896:
Nr. 3, Juli, S. 41-57.
Nr. 4, August, S. 25-41.
Nr. 5, September, S. 31-36.
URL: https://archive.org/details/savoy02symo
Aufgenommen
W. B. Yeats: Ideas of Good and Evil. London: Bullen 1903, S. 176-225.
URL: http://catalog.hathitrust.org/Record/001189128
Yeats, William Butler: Mr. Arthur Symons' New Book.
In: The Bookman (London).
Bd. 12, 1897, Nr. 67, April, S. 15-16.
Yeats, William Butler: Academy Portraits. XXXII. – William Blake.
In: The Academy.
A Weekly Review of Literature, Science, and Art.
1897, 19. Juni, S. 634-635.
[PDF]
Aufgenommen
W. B. Yeats: Ideas of Good and Evil. London: Bullen 1903,
S. 168-175 (u.d.T. "William Blake and the Imagination").
URL: http://catalog.hathitrust.org/Record/001189128
Yeats, William Butler: Introduction.
In: A Book of Images, Drawn by W.T. Horton & Introduced by W.B. Yeats.
London: Unicorn Press 1898, S. 7-16.
URL: https://archive.org/details/bookofimagesdraw00hortuoft
Aufgenommen in:
W. B. Yeats: Ideas of Good and Evil. London: Bullen 1903,
S. 226-236 (u.d.T. "Symbolism in Painting").
URL: http://catalog.hathitrust.org/Record/001189128
Yeats, William Butler: John Eglinton and Spiritual Art.
In: Daily Express (Dublin).
1898, 29. Oktober, Second Edition, S. 3.
Yeats, William Butler: The Autumn of the Flesh.
In: Daily Express (Dublin).
1898, 3. Dezember, Second Edition, S. 3.
Yeats, William Butler: The Wind Among the Reeds.
London: Mathews 1899.
URL: https://archive.org/details/windamongreeds00yeatrich
Yeats, William Butler: The Literary Movement in Ireland.
In: North American Review.
Bd. 169, 1899, Nr. 517, Dezember, S. 855-867.
Yeats, William Butler: The Symbolism of Poetry.
In: The Dome.
An Illustrated Magazine and Review of Literature, Music,
Architecture, and the Graphic Arts.
N.S., Jg. 6, 1900, April, S. 249-257.
Yeats, William Butler: Ideas of Good and Evil.
London: Bullen 1903.
URL: http://catalog.hathitrust.org/Record/001189128
URL: https://archive.org/details/ideasofgoodevil00yeatrich [Second Edition 1903]
Yeats, William Butler: The Philosophy of Shelley's Poetry.
In: William Butler Yeats: Ideas of Good and Evil.
London: Bullen 1903, S. 90-141.
Yeats, William Butler: Poems, 1899-1905.
London: Bullen; Dublin: Maunsel 1906.
URL: https://catalog.hathitrust.org/Record/001776370
URL: https://archive.org/details/poems01yeatgoog
Yeats, William Butler: Poems.
London: T. Fisher Unwin 1912.
URL: https://catalog.hathitrust.org/Record/009025212
URL: https://archive.org/details/yeatspoems00yeatrich
Yeats, William Butler: The Cutting of an Agate.
New York: The Macmillan company 1912.
URL: https://catalog.hathitrust.org/Record/001195035
URL: https://archive.org/details/cuttingofagate00yeat
Yeats, William Butler: Essays and Introductions.
London: Macmillan and C. 1961.
Yeats, William Butler: The Collected Letters of W. B. Yeats.
Edited by John Kelly u.a.
Oxford: Clarendon Press; New York: Oxford University Press.
Bd. 1ff. 1986ff.
Yeats, William Butler: Die Gedichte.
Hrsg. von Norbert Hummelt.
Übers. von Marcel Beyer u.a.
München: Luchterhand 2005.
Larrissy, Edward (Hrsg.): The First Yeats.
Poems by W.B. Yeats, 1889 – 1899.
Manchester: FyfieldBooks 2010.
Literatur
Bickley, Pamela: 'How they met themselves'.
Rossetti and Yeats in the 1890s.
In: Yeats Annual (14) 2001, S. 50-103.
Bonnefoy, Yves: Yeats's Poetics. Emily Grosholz (trans.).
In: Hudson Review 69 (2016), S. 403-425.
Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik.
In: Handbuch Lyrik. Theorie, Analyse, Geschichte.
Hrsg. von Dieter Lamping.
2. Aufl. Stuttgart 2016, S. 2-15.
Fagan, Paul u.a. (Hrsg.): Irish Modernisms.
Gaps, Conjectures, Possibilities.
London 2021.
Fogarty, Anne: Yeats, Ireland and modernism.
In: The Cambridge Companion to Modernist Poetry.
Hrsg. von Alex Davis.
Cambridge u.a. 2007, S. 126-146.
Gardner, Joann: Yeats and the Rhymers' Club.
A Nineties' Perspective.
New York u.a. 1989
(= American University Studies; Series IV, 47)
Harkness, Marguerite: The Aesthetics of Dedalus and Bloom.
Lewisburg 1984.
Haughton, Hugh: The Irish Poet as Critic.
In: The Oxford Handbook of Modern Irish Poetry.
Hrsg. von Fran Brearton u. Alan Gillis.
Oxford 2012, S. 513-533.
Howes, Marjorie u.a. (Hrsg.): The Cambridge Companion to W. B. Yeats.
Cambridge u.a. 2006.
Jeffares, A. Norman (Hrsg.): Yeats the European.
Savage, Md. 1989.
Lipking, Lawrence: Poet-critics. In: The Cambridge History of Literary Criticism.
Bd. 7: Modernism and the New Criticism. Hrsg. von A. Walton Litz.
Cambridge u.a. 2000, S. 439-467.
Longley, Edna: Yeats and Modern Poetry.
New York 2013.
Marcus, Laura u.a. (Hrsg.): Late Victorian into Modern.
Oxford 2016.
McCready, Sam: A William Butler Yeats Encyclopedia.
Westport, Conn. 1997.
Quinn, Justin: The Cambridge Introduction to Modern Irish Poetry, 1800 – 2000.
Cambridge u.a. 2008.
Reents, Friederike: Stimmungsästhetik.
Realisierungen in Literatur und Theorie vom 17. bis ins 21. Jahrhundert.
Göttingen 2015.
Regan, Stephen: Yeats and the fin de siecle.
In: Yeats in Context.
Hrsg. von David Holdeman u.a.
Cambridge 2010, S. 25-34.
Warner, Eric / Hough, Graham (Hrsg.): Strangeness and Beauty.
An Anthology of Aesthetic Criticism 1840–1910.
2 Bde. Cambridge u.a. 2009.
Edition
Lyriktheorie » R. Brandmeyer